Podcast: An Intro to Will Oldham

For those of you who didn’t already know, Will Oldham is one of my all-time favorite artists, coming in second only to the boys from Radiohead. Over the last fourteen years, he’s released ten proper full-lengths, two cover albums, three albums of b-sides and rarities, a live album, and countless EPs under the monikers of Palace Brothers, Palace Songs, Palace, Palace Music, Will Oldham, Bonnie “Prince” Billy, and Bonny Billy. He’s collaborated with Matt Sweeney, Johnny Cash, Dave Pajo, Dawn McCarthy, Tortoise, Alasdair Roberts, and Sage Francis and has also scored several independent films. “I See A Darkness”, his 1999 full-length under the name Bonnie “Prince” Billy, has sat comfortably as my third favorite album of all time and will likely remain there for some time to come.

Oldham is also an accomplished actor; he’s had leading roles in both Matewan (1987) and Old Joy (2006), both of which witness his quirky but phenomenal acting ability. The latter is one of my favorite films of the last few years. He also acts in some of his own music videos—below I posted the music video for Bonnie “Prince” Billy’s “I Gave You”, a somber one-shot piece that was easily one of the best music videos of 2005. The point of all this, of course, I have yet to see Oldham involved in anything I didn’t like (his collaboration with Tortoise was pretty sub-par, but that was mostly Tortoise’s fault).

Will Oldham’s work is best described as dark folk-rock with a detectable country influence. Above all things, Oldham’s vocals and lyrics are described as utterly human, capturing despair, the human condition, and little moments of joy magnificently. Look no further than “You Will Miss Me When I Burn” for proof of that. His work is not for those who look to music for escape, but rather for those who see and struggle with that same darkness. It is not music without joy, however; there is joy to be found in identification, as well as in the fleeting moments in which love or friendship can lift a soul above what Oldham considers to be the harsh reality of things.

This podcast is a sort of introduction to the works of Will Oldham, taking some of the best tracks off each of his proper full-lengths as well as his b-sides and rarities compilations. “Ohio River Boat Song” and “Madeleine-Mary” are two of my favorite songs ever and are absolutely necessary listening. What makes the latter even more amazing is that it’s comprised of only one chord, A minor. A faster and better-produced version of “Riding” appears later on “Lost Blues and Other Songs” and is probably better known, but the earlier version captures an unforgettable sense of brooding and incredible emotional strain. “Just To See My Holly Home” is one of his more upbeat songs and, along with “Barcelona”, is one of the Oldham tracks most suited to sing-alongs. “I Gave You” is the haunting closing track from Oldham’s 2005 collaboration with Matt Sweeney. The gorgeous backup vocals on “Strange Form of Life” are courtesy of Faun Fables’ Dawn McCarthy, who appears on the majority of Oldham’s most recent album, “The Letting Go” (for which I wrote a lengthy review).

Contents of the Podcast:
[0:00-4:26] “Riding” from There is No-One What Will Take Care of You (1993)
[4:26-7:44] “You Will Miss Me When I Burn” from Days in the Wake (1994)
[7:44-10:26] “The Brute Choir” from Viva Last Blues (1995)
[10:26-14:02] “Stablemate” from Arise, Therefore (1996)
[14:02-18:28] “Ohio River Boat Song” from Lost Blues and Other Songs (1997)
[18:28-22:12] “O Let It Be” from Joya (1997)
[22:12-24:44] “Madeleine-Mary” from I See A Darkness (1999)
[24:44-29:05] “Stable Will” from Guarapero/Lost Blues 2 (2000)
[29:05-32:48] “Just To See My Holly Home” from Ease Down the Road (2001)
[32:48-36:36] “Wolf Among Wolves” from Master and Everyone (2003)
[36:36-39:18] “I Gave You” from Superwolf (2005)
[39:18-44:50] “Barcelona” from Little Lost Blues (2006)
[44:50-48:44] “Strange Form of Life” from The Letting Go (2006)

Download Podcast: An Into to Will Oldham [mp3]


Music Video: “I Gave You”, directed by Mike Piscitelli


Note: If you want to download the podcast and the link has expired, shoot me an email and I’ll put it back up as soon as I can.

- Dominick Duhamel -

Music is a Cruel Lover I

Welcome to my new, totally spontaneous column action. Drink it up:

Leaving for Coachella tomorrow. Pretty excited. For some reason more excited about being back in ninety-something degree weather (the kind we had in San Diego last summer [and will hopefully have this summer]) than hearing the music in general. S-s-songs:

April March – Chick Habit [mp3]
For those of you who haven’t seen Grindhouse yet, get on it, and witness the incredible context from which this song emerges. Absolutely the catchiest song I’ve heard in a very long time—almost as can’t-get-it-out-of-your-fucking-head as “Lost” (yes, the TV show), which I’ve been addicted to for the last two weeks (and yes I know it’s pretty much old news by now). There’s something so horribly charming about an earnest girl with a playful, poppy voice singing about cutting people up in two.

Feist – Past in Present [mp3]
So the new Feist album is pretty fantastic right? Pretty life-changing, right? When “The Reminder” keeps me from listening to my other new music because I know the rest won’t compare, that’s gotta be a good sign. The whole way through—incredible, well-written, affecting, and utterly unforgettable. Leslie Feist, if you’re reading this, I have a proposition: if we’re both seventy and we’re both still single, will you marry me? Just for the hell of it?

Slint – Breadcrumb Trail [mp3]
SPIDERLAND SPIDERLAND SPIDERLAND SPIDERLAND

Bonny Billy – Barcelona [mp3]
I’m pretty sure there’s a nest of spiders somewhere in this room, because I keep seeing them flit across the wall and disappear before I can nab them with a kleenex. But if I ever found it, I’d play this song as I flushed them down the toilet. I think it’s pretty safe to assume that spiders like Will Oldham as much as I do, if not more. (This is from the “Little Lost Blues” album, by the way, which is worth tracking down for sure).

- Dominick Duhamel -